Ways To Get Your Work Noticed

28. Apr, 2015

There are lots of ways to get your work recognised, especially if you don't mind spending some time regularly updating your work. This keeps it fresh, I feel it is better to add little and often than bombard your audience with hundreds of images. If you click on someones page and there are 100 photos, all taken on the same day in the same place, in the end it gets to the stage where you don't really see any of them. There are lots of images around to choose from, but the most important thing is quality not quantity.

It's also a good idea to link you web page, and any other sites used together, just adding your web site link, for example onto your pintrest account means more visits to your page. I have a link on my front page to my Alamy photos and also on my pintrest page. All of this is new to me but already I can see the benefit of this way of working. It does take time and effort, but if you are serious about it, its worth it.

It is also worth being proactive, don't just sit and wait, enter competitions, submit to magazines, you may get 100 rejections, but someone may be looking for exacty what you have just sent them. If you don't try you will never know. Last year I submitted a photo to be considered for a photo supplement on a newspaper, I din't hear back and forgot all about it. Then suddenly about a month ago had an email saying it was to be used. You never know what may happen, its the old saying " You have to be in it to win it", my advice is, keep trying, its worth it.

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Cinematic Photography

24. Apr, 2015

For the past few weeks I have been looking at cinematic photography and way to reference some of the directors and photographers in my own work. My main director, although an obvious one, has been Hitchcock. There are several reasons behind my choice, Hitchcock was an innovative director using techniques no-one else had used, with many landmark films. He was visionary and his influence is still felt today, just one small example of this is the use of the  phsycho shower scene currently being used to advertise a brand of shower gel. As a child growing up Hitchock was someone whose films I often saw on the television, I suppose they stuck in my memory, I had forgotten how many there were. 

All his work is so good it was difficult to narrow it down, I ended up concentrating on North by North West and Rear Window, two films quite different from each other. For my outdoor project I have tried to use the empty landscape ideas from the crop duster scenes with my own twist. When I get some indoor work done I may use the claustraphobic ideas behind rear window.

My concept for this project is displacement, putting a man made item in the landscape where it does not belong. This is one of my first examples, more to follow  

Submitting Photo Work To Stock Image Sites

22. Apr, 2015

Over the last few weeks I have been looking at stock image sites like Alamay and Shutterstock, there are lots of different sites to checkout. The one you go with depends on personal choice, but these are the things I found useful. 

Alamay is a very large site with over 55 million photos and only accept photos taken with a DSLR using files of 17mg uncompressed data. Before this causes a panic, this is the size before you save them as jpg. To check your file size in photoshop go across the top bar to image, in the drop down menu is image size this give you options for reducing files to use on line, but as importantly gives the uncompressed size. If your camera is over 6m pixels you should be fine. Alamay are strict with quality and don't accept oversharpened images or soft focus, as long as you are careful to choose only sharp, clean images, with no dust on the sensor it's plain sailing.

Some of the other sites accept a wider range of images from all sorts of cameras however they may be royalty free. One other site worth mentioning is Millenium images they are a much smaller company who specialise in more creative work, they do have a very high standard for image size, but if your camera is quite new a your work is imaginative they may be the people to use.

On last point, be very selective with your key words this is how people find your work, otherwise your best images may be on the last page and unseen. This photo is one I submitted to Alamay recently. 

The Selfie For People Who Hate Being Photographed

16. Apr, 2015

Like a lot of photographers I really hate having my own photo taken. This causes me a lot of problems some I can avoid, some not. I can't get out of group shots at weddings but I can take control of the dreaded selfie. 

In the past year I have looked at a few photographers, who along side the work I knew about have also found creative ways of taking self portraits. Vivien Maier who specialised in street photography also made very creative use of reflections. She used windows and mirrors in many shots, in some she used multiple reflections, every photograph was well planned and her eye for the unusual was astounding. Maier also made great shadow selfies, her work is well work a look, not only for her street photography.

Another favorite of mine the great landscape photographer Ansel Adams was also known to to the odd shadow selfie, more recently I seen examples of double exposures, peoples feet or hands, there seems to be no end to the possibilities. After some experiments this is my attempt at double exposure. It was taken as two speparate photos and processed in photoshop, it can be achieved in camera with my nikon D5300 with almost identical results, it just gave me more freedom to mix and match. 

Test driving my new Lee Big Stopper filter

2. Apr, 2015

I bought a new filter last week at the photography show I visted in Birmingham and have been dying to try it out. I have used cheaper filters before, which were ok but gave very strange colour casts especially on the longer exposures. After a lot of research I finally decided that it was time to upgrade. The main atraction for me is being able to do longer exposures even on a bright day. I like the idea of changing how we see photos, from fairly static often frozen in time, to images with a sense of movement. Even using a slightly slower shutterspeed of perhaps 8sec gives a new feel to my work, and makes it less a "snap" and more a considered image. 

Typically the weather has been pretty awful the last week or so. I check the forecast every morning to see if it was worth getting out my camera ( or not ). Then after days of high winds, thick cloud, and very heavy rain, I finally found a very short break in the weather. I didn't have long rain was forecast for about 11am so I headed for my local beach, its only 20mins away.

The sky was quite bright with some clouds already building so I headed straight down to a small stream at the top of the beach. I set up the tripod and cable release, then took a test shot. The filter has a chart with it to quickly add the 10 stops needed, this is a fantastic time saver, instead of having to set the camera, then work out the shutter speed, I just checked the list. My 1/250Sec ended up as 8sec brilliant.

Ater manually focusing the camera all I needed to do was add the filter and press the button. I only had about half an hour before the weather started to change, so speed was essential. I bracketed each shot iust to be sure and managed to get about 10 shots in total, not bad in half a hour. 

I loaded my photos into photoshop the second I got home, the difference is amazing, no more magenta colour cast, I think I probably should have bought this filter ages ago. My new mission for the summer more slow shutter speeds in the middle of the day.